00_ Fiat Lux. Narrative in-forms realities. It gives them a form. So that these can be recognised, narrated, historicized, represented. Narrative stands for any form of representation. The urban condition is a tangible reality that takes form with narrative, here understood as any kind of representation, visual or not.
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This "manifesto", which emerged in its first version six years ago, was initially intended to become an agitatorial sound-piece consisting of ambiguous voices in several languages. It ended up a backdrop and an insistent reminder while I was pondering other less agitatorial pieces relating to gender, gender neutrality and transgression of gender.
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Part 2 of “All Talk, No Action” (see below).
To handle and act within art today is to choose between ìwith usî, or ìagainst usî!! And we all know that "against us" is not really an option. There is no such thing as "against us", we are all onboard from the get go and possibly all the way to the end.
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What is the difference between practicing and preaching, and what does it have to do with themes?
ñ My name is Fredrik Gunve and I work as an artist. Iíve had several exhibitions,
performances, situation based happenings, installations, teaching projects, texts, and I have often been asked:
ñ What themes do you work with??
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Script of a video-letter to Thomas Hoving, former director at the MET and author of the unforgivable Art for Dummies.
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Why Michel Foucault? Because philosophy in Foucault's sense is a PERSONAL EXPERIENCE, an act of solitude. The solitude of the subject of philosophical experience has nothing to do with pathetic or narcissistic, depressive self-enclosure. The solitude of the philosophical subject is an act of resistance. The subject resists the easiness of mere opinion. It opens itself to new experiences, the EXPERIENCE OF THE NEW SELF.
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