Animals Autobiography Body Chains of effects Community Collaborative Dialogue Dream Drift Evolution Failure Family Feminism Forest Gravity Home Identity Inequality Language Love Manifesto Melancholy Narrative Nature Navigation Notes Pain Perception Prostitution Power Rhythm Script Scepticism Sculpture Self-organization Sociology Space Subject Television Territory Time Tourist Translation Tradition Travel Urban Utopia

If you look at a map of Petersburg, you will immediately see that Narvskaya Zastava is an isolated zone, surrounded by a ring of factories, railroad tracks and shipyards. Before the revolution, it was part of the city's proletarian outskirts, an historical hotbed of dissent. The historical decision to begin the October Revolution was made here.
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A strong dazzling sun from a cloudless blue sky. Glass facades emerge in the sunlight. A house of glass looms into view. A panning and presentation of a city constructed entirely of glass: Crystal Palace.
[...] we wish everyone a good morning. Today in room 101 we'll be showing a film on the legendary mountain, Mt. Everest, which according to our sources reaches around 8848 m. At the same time, in room 314, the classical costume drama, Room with a view, will be screened. For children, there will be a visit by a clown.
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As a result of filmic expression that has benefited from technological advances, the fusion of íthe visualí and íthe narrativeí is now resulting in unprecedented forms of expression. What kinds of stories are being told by artists who have acquired the medium of 'the moving image?' How are these stories being told? The focus of this essay will be on storytelling in the medium of the moving image, which has seen a rapid growth since the mid-nineties.
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